Edward Redfield (1869-1965), Plum Blossoms, ca. 1920, oil on canvas, 38 x 50 inches, with signed 5 inch carved black and gold frame by Fred Harer.

Provenance:

• Estate of Edward Redfield- included in Dorothy Redfield’s itinerary.
• George Redfield, his grandson.
• Private collection, New Jersey ca. 1983.

Exhibitions

• Catalogue of Paintings by Edward Redfield, the Art Club of Philadelphia, November 17- December 5, 1920, no. 9.
• Catalogue of an Exhibition of Oriental Art, Period Embroideries, Paintings by Edward Redfield and Harry Hoffman, the Memorial Art Gallery Rochester, New York, November 1927, no. 4.
• A Retrospective Exhibition of the Work of Edward Redfield N.A., Grand Central Art Galleries, New York City, April 16- May 4, 1968, no. 29.
• The 127th, Annual Exhibition, the Pennsylvania Academy of Fine Arts, Philadelphia, 1932.
• Thomas Folk, The Pennsylvania School of Landscape Painting, An Original American Impressionism, the Allentown Museum, Allentown, Pennsylvania, September 16- November 25, 1984; and traveling to the Corcoran Gallery of Art, Washington D.C. December 14- 1984- February 10, 1985; the Westmoreland Museum of Art, Pennsylvania, March 2- May 5, 1985; and the Brandywine River Museum, Chadds Ford, Pennsylvania, June 1- September 2, 1985, figure 2:14, illus. p. 41.
• Thomas Folk, Edward Redfield, First Master of the Twentieth Century Landscape, Allentown Art Museum, September 20, 1987- January 10, 1988; and traveling to the Butler Institute, Youngstown, Ohio, February 14- April 2, 1988, catalogue no. 13, illus. p. 68.

Literature:

• Arienne Redd, “Exhibit Places Painter in Historical Context,” Globe- Times Reviewer, Bethlehem, Pennsylvania, October 16, 1987, illus. p. D3.
• Thomas C. Folk, The Pennsylvania Impressionists, Associated University Presses, 1997, illus. plate 12.

Walter Stuempfig, Queen of the Seas (Casino).

Oil on canvas, 18 x 21 inches.

Exhibited at WoodmereArt Gallery.

Provenance:  From collection of Mr. Van Day Truex.

 Mel Stark, Autumn Road.  Oil on board, 25 x 30 inches.

Illustrated in color on page 79, figure 64 in Martha Young Hutson-Saxton's "Walter Emerson Baum" book relating to Pennsylvania Impressionism.

Provenance:  From the collection of Muriel and Philip Berman.

Harry Leith-Ross (1886 - 1973), Derelict, oil on canvas board, 8.5 x 10 inches.

Provenance:  Godel & Company Fine Art, New York City.

Louis Bosa, After Dinner Tango, oil on masonite, 10 x 24 inches.

Provenance:  The Frank Oehlchlaeger Gallery, Chicago, IL

Ranulf Bye (De Bayeux), Pennsylvania, 1916 - 2003.  Winter In Bucks County, Watercolor, 21 x 29 inches.

James Carlin, The Checkerplayers in Military Park (Newark, NJ).  Oil on canvas, 30 x 36 inches.

Bernard Corey, Massachussetts, 1914 - 2000.  New England Landscape, oil on board, 10 x 14 inches.

Bella De Tirefort, New York City, 1894 - 1993.  (Born in Eastern Europe, Bella is known for his striking New York scenes, painted mostly between the 1930's through '50's.)

Washington Square, oil on artist board, 9 x 12 inches.

Provenance:   Florence Young - Old Queens Gallery, George Street, New Brunswick, NJ.

John Grabach, New Jersey, known for his depictions of urban life and landscapes in Newark and other New Jersey towns in the early through mid - 1900's.

Clown and Piglet, oil on board, 12 x 16 inches.

Provenance:  Christie's.

Willis R. Lohse, born Dresden, Germany, 1890.  NYC artist and illustrator known for his children's books and Cityscapes.

Industrial Landscape, Gouache, 16.5 x 11 inches.

Emile Stange, Jersey City, NJ, 1863 - 1943. 

House by Passaic Falls, oil on board, 20 x 16 inches.